metz & racine
Curious Science
Gay Pride Moustache, 2008
The objects Berryhill represents aren’t just visually pleasing, they’re relatable. You find yourself identifying with a draped piece of fabric, a blue polyhedron floating in pink mist. Though static, they manage to convey some element of the artist’s personality that’s just immediately likable. These paintings prove that anthropomorphism isn’t a quality reserved for talking animals and furniture with faces, it can be achieved subtly, graciously.
Travess Smalley,
Foam Form with Palm Tree © 2010
Thomas Albdorf
Tomatoes and Cat
Aluminium et Pamplemousse - Jeremie Egry
Valérie Belin.
Untitled 2007, (104)Di-bonded Fuji crystal archive print
70,9”x60,2”
Untitled 2007, (104)
(via fifikoussout)
for relaxing times….
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Bea de Giacomo
(Source: beadegiacomo)
Irving Penn, “Still Life with Watermelon, New York” (1947)
Dye transfer print mounted, 24 x 19 7/8 inches (610 x 505 mm), signed, annotated in ink and Penn/Conde Nast copyright credit reproduction limitation stamps (on the reverse of the mount).
Estimate $30,000-40,000
Emulson surface with craquelure, but overall an extraordinarily attractive image, probably printed 1960s or 1970s. Penn Moments Preserved p. 117; Szarkowski Irving Penn 1984, plate 63; Penn Passage: A Work Record p. 41.
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