: Neon Fruit Supermarket
/tagged/2010/page/2
Nina Katchadourian
Lavatory Self-Portraits in the Flemish Style 
2010, Ongoing project

While in the lavatory on a domestic flight in March 2010, I spontaneously put a tissue paper toilet cover seat cover over my head and took a picture in the mirror using my cellphone. The image evoked 15th-century Flemish portraiture. I decided to add more images made in this mode and planned to take advantage of a long-haul flight from San Francisco to Auckland.

Nina Katchadourian

Lavatory Self-Portraits in the Flemish Style 

2010, Ongoing project

While in the lavatory on a domestic flight in March 2010, I spontaneously put a tissue paper toilet cover seat cover over my head and took a picture in the mirror using my cellphone. The image evoked 15th-century Flemish portraiture. I decided to add more images made in this mode and planned to take advantage of a long-haul flight from San Francisco to Auckland.

paintingsfromnewmexico:
David Fowler
Santa Barbara , October 2010
Oil on Canvas 20”h x 30”w

paintingsfromnewmexico:

David Fowler

Santa Barbara , October 2010

Oil on Canvas 20”h x 30”w

thebarf:

Michael Dotson,
Swimming Pool #4
2010
Acrylic on Canvas.

thebarf:

Michael Dotson,

Swimming Pool #4
2010
Acrylic on Canvas.
paintingsfromnewmexico:

David Fowler
Studio View - 02.27.10Oil on Canvas 26”h x 44”w



There were 9 drawings of this before it was painted. See posts below.

paintingsfromnewmexico:

David Fowler

Studio View - 02.27.10
Oil on Canvas 26”h x 44”w

There were 9 drawings of this before it was painted. See posts below.

Markus Wüste.
Gravitational Victims, 2010Marble, partially polished limestone boulder.86x30x31 cm 
A limestone boulder has been digitally recreated in its original form and dropped in a computer-animated simulation taking into account the gravity on an imaginary block. In the animation, the block is deformed by the impact of the boulder and changes its material properties. The resulting template was then made in marble. 

Markus Wüste.

Gravitational Victims, 2010
Marble, partially polished limestone boulder.
86x30x31 cm 

A limestone boulder has been digitally recreated in its original form and dropped in a computer-animated simulation taking into account the gravity on an imaginary block. In the animation, the block is deformed by the impact of the boulder and changes its material properties. The resulting template was then made in marble. 

(Source: nancys)

Matias Santa Maria
omsituves, 2010

Matias Santa Maria

omsituves, 2010

(via elizabethchen)

julianminima:

Letha Wilson
Vertical Horizon (White Sands)2010
Unique C-print, frame

julianminima:

Letha Wilson

Vertical Horizon (White Sands)2010

Unique C-print, frame

artsatlas:

Heidi NortonUntitled, 2010

artsatlas:

Heidi Norton
Untitled
2010

in-fi-nity:

Yutaka Sone “Tropical Composition/Banana Tree No4,” 2008-2010, rattan, metal armature, and paint

in-fi-nity:

Yutaka Sone 
“Tropical Composition/Banana Tree No4,” 2008-2010, 
rattan, metal armature, and paint

(Source: art-documents, via scrappies)

Jaffar Al Oraibi 
Untitled 2, 2010 169 x 149 cm Oil, Oil Bar, Charcoal & Spray Paint on Canvas

Jaffar Al Oraibi 

Untitled 2, 2010 
169 x 149 cm
Oil, Oil Bar, Charcoal & Spray Paint on Canvas

“We are an accumulation of our individual lives and of the lives of the social interactions that we have had, and, of course, we also have quite a lot of knowledge about the world at large, even world that we have never seen directly and we have only touched through books or images in movies or television. Okay, all of this is in effect a sort of screen around the reality of our biology, so we have constructed with our cultures a very complex, very robust screen that is constantly blocking the view to things that are very, very simple within us, and mostly to the fact that we are present, that we are living, and that we have this problem of life to deal with.”
—Antonio Damasio with Marina Abramovic at LIVE, November 12, 2010

humansevenbillion:

Day 55, Marina Abramović (by MoMA The Museum of Modern Art)

“We are an accumulation of our individual lives and of the lives of the social interactions that we have had, and, of course, we also have quite a lot of knowledge about the world at large, even world that we have never seen directly and we have only touched through books or images in movies or television. Okay, all of this is in effect a sort of screen around the reality of our biology, so we have constructed with our cultures a very complex, very robust screen that is constantly blocking the view to things that are very, very simple within us, and mostly to the fact that we are present, that we are living, and that we have this problem of life to deal with.”


Antonio Damasio with Marina Abramovic at LIVE, November 12, 2010

humansevenbillion:

Day 55, Marina Abramović (by MoMA The Museum of Modern Art)


Nabil Nahas

Untitled, 2010
Acrylic on canvas
206 x 213 cm
81 1/8 x 83 7/8 in

Nabil Nahas

Untitled, 2010
Acrylic on canvas
206 x 213 cm
81 1/8 x 83 7/8 in

Nina Katchadourian
Lavatory Self-Portraits in the Flemish Style 
2010, Ongoing project

While in the lavatory on a domestic flight in March 2010, I spontaneously put a tissue paper toilet cover seat cover over my head and took a picture in the mirror using my cellphone. The image evoked 15th-century Flemish portraiture. I decided to add more images made in this mode and planned to take advantage of a long-haul flight from San Francisco to Auckland.

Nina Katchadourian

Lavatory Self-Portraits in the Flemish Style 

2010, Ongoing project

While in the lavatory on a domestic flight in March 2010, I spontaneously put a tissue paper toilet cover seat cover over my head and took a picture in the mirror using my cellphone. The image evoked 15th-century Flemish portraiture. I decided to add more images made in this mode and planned to take advantage of a long-haul flight from San Francisco to Auckland.

paintingsfromnewmexico:
David Fowler
Santa Barbara , October 2010
Oil on Canvas 20”h x 30”w

paintingsfromnewmexico:

David Fowler

Santa Barbara , October 2010

Oil on Canvas 20”h x 30”w

thebarf:

Michael Dotson,
Swimming Pool #4
2010
Acrylic on Canvas.

thebarf:

Michael Dotson,

Swimming Pool #4
2010
Acrylic on Canvas.
paintingsfromnewmexico:

David Fowler
Studio View - 02.27.10Oil on Canvas 26”h x 44”w



There were 9 drawings of this before it was painted. See posts below.

paintingsfromnewmexico:

David Fowler

Studio View - 02.27.10
Oil on Canvas 26”h x 44”w

There were 9 drawings of this before it was painted. See posts below.

Markus Wüste.
Gravitational Victims, 2010Marble, partially polished limestone boulder.86x30x31 cm 
A limestone boulder has been digitally recreated in its original form and dropped in a computer-animated simulation taking into account the gravity on an imaginary block. In the animation, the block is deformed by the impact of the boulder and changes its material properties. The resulting template was then made in marble. 

Markus Wüste.

Gravitational Victims, 2010
Marble, partially polished limestone boulder.
86x30x31 cm 

A limestone boulder has been digitally recreated in its original form and dropped in a computer-animated simulation taking into account the gravity on an imaginary block. In the animation, the block is deformed by the impact of the boulder and changes its material properties. The resulting template was then made in marble. 

(Source: nancys)

Matias Santa Maria
omsituves, 2010

Matias Santa Maria

omsituves, 2010

(via elizabethchen)

julianminima:

Letha Wilson
Vertical Horizon (White Sands)2010
Unique C-print, frame

julianminima:

Letha Wilson

Vertical Horizon (White Sands)2010

Unique C-print, frame

artsatlas:

Heidi NortonUntitled, 2010

artsatlas:

Heidi Norton
Untitled
2010

in-fi-nity:

Yutaka Sone “Tropical Composition/Banana Tree No4,” 2008-2010, rattan, metal armature, and paint

in-fi-nity:

Yutaka Sone 
“Tropical Composition/Banana Tree No4,” 2008-2010, 
rattan, metal armature, and paint

(Source: art-documents, via scrappies)

Jaffar Al Oraibi 
Untitled 2, 2010 169 x 149 cm Oil, Oil Bar, Charcoal & Spray Paint on Canvas

Jaffar Al Oraibi 

Untitled 2, 2010 
169 x 149 cm
Oil, Oil Bar, Charcoal & Spray Paint on Canvas

“We are an accumulation of our individual lives and of the lives of the social interactions that we have had, and, of course, we also have quite a lot of knowledge about the world at large, even world that we have never seen directly and we have only touched through books or images in movies or television. Okay, all of this is in effect a sort of screen around the reality of our biology, so we have constructed with our cultures a very complex, very robust screen that is constantly blocking the view to things that are very, very simple within us, and mostly to the fact that we are present, that we are living, and that we have this problem of life to deal with.”
—Antonio Damasio with Marina Abramovic at LIVE, November 12, 2010

humansevenbillion:

Day 55, Marina Abramović (by MoMA The Museum of Modern Art)

“We are an accumulation of our individual lives and of the lives of the social interactions that we have had, and, of course, we also have quite a lot of knowledge about the world at large, even world that we have never seen directly and we have only touched through books or images in movies or television. Okay, all of this is in effect a sort of screen around the reality of our biology, so we have constructed with our cultures a very complex, very robust screen that is constantly blocking the view to things that are very, very simple within us, and mostly to the fact that we are present, that we are living, and that we have this problem of life to deal with.”


Antonio Damasio with Marina Abramovic at LIVE, November 12, 2010

humansevenbillion:

Day 55, Marina Abramović (by MoMA The Museum of Modern Art)


Nabil Nahas

Untitled, 2010
Acrylic on canvas
206 x 213 cm
81 1/8 x 83 7/8 in

Nabil Nahas

Untitled, 2010
Acrylic on canvas
206 x 213 cm
81 1/8 x 83 7/8 in

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