Susan Sontag in 1975, photo by Peter Hujar.
We were walking down University Avenue, Palo Alto’s twee, boutique-crammed main drag, on our way to a bookshop. Sontag was wearing her trademark intellectual-diva outfit: voluminous black top and black silky slacks, accessorised with a number of exotic, billowy scarves. These she constantly adjusted or flung back imperiously over one shoulder, stopping now and then to puff on a cigarette or expel a series of phlegmy coughs. (The famous Sontag ‘look’ always put me in mind of the stage direction in Blithe Spirit: ‘Enter Madame Arcati, wearing barbaric jewellery.’) Somewhat incongruously, she had completed her ensemble with a pair of pristine, startlingly white tennis shoes. These made her feet seem comically huge, like Bugs Bunny’s. I half-expected her to bounce several feet up and down in the air whenever she took a step, like one of those people who have shoes made of ‘Flubber’ in the old Fred McMurray movie.
She’d been telling me about the siege and how a Yugoslav woman she had taken shelter with had asked her for her autograph, even as bombs fell around them. She relished the woman’s obvious intelligence (‘Of course, Terry, she’d read The Volcano Lover, and like all Europeans, admired it tremendously’) and her own sangfroid. Then she stopped abruptly and asked, grim-faced, if I’d ever had to evade sniper fire. I said, no, unfortunately not. Lickety-split she was off – dashing in a feverish crouch from one boutique doorway to the next, white tennis shoes a blur, all the way down the street to Restoration Hardware and the Baskin-Robbins store. Five or six perplexed Palo Altans stopped to watch as she bobbed zanily in and out, ducking her head, pointing at imaginary gunmen on rooftops and gesticulating wildly at me to follow. No one, clearly, knew who she was, though several of them looked as if they thought they should know who she was.
Susan Sontag in 1975, photo by Peter Hujar.
We were walking down University Avenue, Palo Alto’s twee, boutique-crammed main drag, on our way to a bookshop. Sontag was wearing her trademark intellectual-diva outfit: voluminous black top and black silky slacks, accessorised with a number of exotic, billowy scarves. These she constantly adjusted or flung back imperiously over one shoulder, stopping now and then to puff on a cigarette or expel a series of phlegmy coughs. (The famous Sontag ‘look’ always put me in mind of the stage direction in Blithe Spirit: ‘Enter Madame Arcati, wearing barbaric jewellery.’) Somewhat incongruously, she had completed her ensemble with a pair of pristine, startlingly white tennis shoes. These made her feet seem comically huge, like Bugs Bunny’s. I half-expected her to bounce several feet up and down in the air whenever she took a step, like one of those people who have shoes made of ‘Flubber’ in the old Fred McMurray movie.
She’d been telling me about the siege and how a Yugoslav woman she had taken shelter with had asked her for her autograph, even as bombs fell around them. She relished the woman’s obvious intelligence (‘Of course, Terry, she’d read The Volcano Lover, and like all Europeans, admired it tremendously’) and her own sangfroid. Then she stopped abruptly and asked, grim-faced, if I’d ever had to evade sniper fire. I said, no, unfortunately not. Lickety-split she was off – dashing in a feverish crouch from one boutique doorway to the next, white tennis shoes a blur, all the way down the street to Restoration Hardware and the Baskin-Robbins store. Five or six perplexed Palo Altans stopped to watch as she bobbed zanily in and out, ducking her head, pointing at imaginary gunmen on rooftops and gesticulating wildly at me to follow. No one, clearly, knew who she was, though several of them looked as if they thought they should know who she was.
Posted 3 months ago & Filed under Susan Sontag, terry castle, lrb, london review of books, the professor, blithe spirit, 9 notes View high resolution
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